A common error among musicians is having fun with undue physical tension. This can actually lead to physiological problems such as tendonitis, carpal tunnel syndrome, subluxation, etc.
A well-known concert pianist, a graduate of one of the finest music conservatories in the world, almost terminated his career because of tension in his hands and arms. Fortunately, his playing method was corrected, and the condition ceased.
Another example is another well-known classical pianist who holds both of her pinkies (fifth fingers) up while playing. Eventually, this will meet up with her, health-wise. Let’s perform a simple test. Put golf balls beneath the palms of both hands, with both hands facing down and the finger tips touching the table. If you may not have golf balls handy, simply keep both hands because cupped shape. Lift each of one’s pinkies up and hold them for a couple seconds. Now put them back. Which hand position felt convenient and natural?
An artist must play with balance, support and coordination, without unnecessary or additive actions, gestures or strains, and with his/her weight evenly distributed.
Try this: Sit down onto a couch, but upon sitting, rock your torso back and kick your legs slightly up in the air. That’s unsupported and unbalanced sitting. It is also an additive action. Now, get up and settle-back down again. But now, just sit. Imagine your face to be central to the weight of one’s body. From your face to your sitz bones (in your pelvis), allow it to be just one action. Spot the ease.
Try this as well: Take your instrument and play several notes. While doing so, deliberately contract the muscles of one’s arms. Besides causing unnecessary physical tension, the produced tones can have no real resonance jennifer hudson net worth. Now, play several notes again. This time around, relax not just your arms, however the muscles of one’s physique, including your legs, neck and head. Listen to the difference of the quality of the tone. Again, spot the ease.
It is really a common mistake for musicians to lock certain body parts while playing, like the knees, jaw and neck. Ways to prevent and handle that is to offer yourself fluid, not rigid, motions with your face which are somewhat “mini-choreographed” in accordance with your musical phrases. For the knees, you can just move them gracefully. This can help prevent locking and also relieves tension.
You can find certain progressive non-musical practices which were adopted by renowned schools of music and musicians to deal with this very subject.
As an area note, it is proven very highly beneficial, and I’d say even mandatory, for musicians to understand certain key non-musical techniques and practices.
Incidentally, there’s a standard falsehood that long, slender fingers are a distinct advantage for pianists. There are lots of accomplished world-class pianists who’ve small hands. And interestingly enough, many European scholars think that plump finger pads tend to be more pianistic.